This doesn’t seem right because all levels must work in the film the viewer must include all the senses, including the brain, which, to be honest, has not worked in our cinema since the time of Inception. Agree, this is no good such predictability makes us completely abandon the plot and try to enjoy only special effects or good jokes. We were tired of those times when we went to the cinema with a bit of bravado and usually knew how the film would end before it started or understood it after 10-15 minutes. “Unknown” is a very tough nut to crack, which is very easy to break your teeth. And now, a new face – Haum-Collet Serra continued the glorious tradition and taking the same Liam Neeson in “The Unknown” achieved a similar effect. French director Pierre Morel directed Liam Neeson in Taken and John Travolta in From Paris with Love. You probably understand who we are referring to. It turns out to be a reckless, exciting story that does not fit into the framework of modern cinema. There is an interesting pattern here: when a French director shoots action, even with a Hollywood celebrity, and manages to invest in a small budget that does not put dead weight on him, he begins to take risks.
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